Liputan6.com, Jakarta - Superhero cinema is often judged by box office numbers and cinematic universes, but some of the most meaningful films in the genre go unnoticed.
These films are misunderstood, released at the wrong time, or overshadowed by larger franchises—yet they bravely explore darker psychology, unconventional storytelling, and the price humanity pays for power.
Here are five of the most underrated superhero films, each deserving of far more recognition than they receive.
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Unbreakable, Watchmen, and Dredd
1. Unbreakable (2000)
Director: M. Night Shyamalan
Starring: Bruce Willis, Samuel L. Jackson
Long before “grounded superhero realism” became a trend, Unbreakable quietly reinvented the genre. Bruce Willis plays David Dunn, a man who survives a catastrophic train crash without a single injury—an event that slowly forces him to question his own nature.
The film unfolds like a psychological drama rather than a comic-book adaptation. There are no flashy costumes or large-scale battles. Instead, the story focuses on identity, denial, and the terrifying realization that one may be meant for something extraordinary.
Samuel L. Jackson’s Elijah Price is one of the most tragic and philosophically complex villains in superhero cinema. Unbreakable is less about becoming a hero and more about accepting destiny, making it one of the most mature entries in the genre.
2. Watchmen (2009)
Director: Zack Snyder
Starring: Jackie Earle Haley, Patrick Wilson, Malin Åkerman
Often dismissed for being too dark or too faithful to its source, Watchmen was ahead of its time. Set in an alternate 1980s America, the film examines a world where superheroes exist—but have made everything worse.
Rather than symbols of hope, these characters are broken, violent, morally compromised, and emotionally stunted. Rorschach, portrayed chillingly by Jackie Earle Haley, stands out as one of the most unsettling antiheroes ever put on screen.
The film questions the very idea of heroism: Should flawed individuals be given power? Can peace be built on lies? While divisive upon release, Watchmen now feels prophetic in an era of morally complex superhero narratives.
3. Dredd (2012)
Director: Pete Travis
Starring: Karl Urban, Olivia Thirlby
Dredd is a brutal, minimalist superhero film that refuses to compromise its tone. Karl Urban’s Judge Dredd is not a charismatic savior—he is the law, delivered without mercy or sentiment.
Set almost entirely within a massive urban megastructure, the film plays like a futuristic siege. The confined setting intensifies the violence and highlights the oppressive nature of the world itself.
What makes Dredd underrated is its discipline. The helmet never comes off, the protagonist never softens, and justice is depicted as cold and terrifying. It’s a rare superhero film that commits fully to its dystopian philosophy.
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Chronicle and The Rocketeer
4. Chronicle (2012)
Director: Josh Trank
Starring: Dane DeHaan, Alex Russell
Chronicle approaches the superhero origin story through found-footage realism. Three teenagers gain telekinetic powers—but instead of becoming heroes, they spiral into ego, trauma, and violence.
The film’s strength lies in its psychological honesty. Power doesn’t inspire responsibility here—it amplifies existing emotional wounds. Andrew’s descent into villainy feels disturbingly believable, rooted in abuse, isolation, and unchecked resentment.
Rather than asking “What would you do with superpowers?”, Chronicle asks who you already are—and whether power would expose it.
5. The Rocketeer (1991)
Director: Joe Johnston
Starring: Billy Campbell, Jennifer Connelly
Overshadowed by darker and flashier superhero films, The Rocketeer is a love letter to classic adventure. Set in 1930s America, the film follows a stunt pilot who discovers a jetpack that turns him into a pulp-era hero.
The tone is sincere, optimistic, and unapologetically old-fashioned. It embraces heroism as inspiration rather than deconstruction, celebrating courage, loyalty, and romantic idealism.
While it never spawned a franchise, The Rocketeer represents a rare kind of superhero storytelling—one that believes in hope without irony.
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